Terry Teachout’s July 19th Wall Street Journal article has been sitting in my Google Reader in box for a few days. Only today did I get around to reading it. In the article, he takes to task Joe Queenan’s assertion that the listening public hasn’t liked anything since Schoenberg’s 1899 Transfigured Night. I think most [...]
Read Full Post »
These glorious summer days are the perfect ambience for Seattle Chamber Music Society’s summer festival at Lakeside School, the lawn dotted with picnickers beforehand, and others arriving with chairs and rugs to listen to the concerts free, sitting on the slope outside St. Nicholas Hall with the music piped out through loudspeakers.
Friday night was no [...]
Read Full Post »
This past Monday, I noticed something about the Seattle Chamber Music Society’s summer festival. It’s a family affair, or at least people in the audience think it is. I can’t blame them. You attend enough concerts, see and hear the same performers year after year, at some point you are bound to think of Jeremy [...]
Read Full Post »
James Bash, a regular contributor to this site, spoke with Arts Journal founder Douglas McLennan in a Cross Cut piece. The Q&A covers a lot of ground but some of McLennan’s most interesting thoughts come at the end of the piece.
McLennan asks:
People in Seattle say that we are one of the best regional orchestras in [...]
Read Full Post »
Posted in Seattle, WA, tagged 9-11, Aaron Copland, Benaroya Hall, James Conlon, Mark O'Connor, Maya Beiser, Seattle Symphony, Summer Fest, Zemlinsky on July 16, 2008 | No Comments »
Walking to Benaroya Hall this past Thursday night I experienced first-hand the difficulty in holding a summer music festival, in Seattle, indoors. I am grateful the Seattle Symphony started Summer Fest. As I have mentioned before, it is impressive, that in less than year Thomas Philion, and orchestra staff put together a diverse collection of [...]
Read Full Post »
Over on Cross Cut, Thomas May has a lengthy article discussing the changes taking place with the Seattle Symphony to reach out to a segmented listening audience.
In the article Philion says:
“We want to position the orchestra a little differently during the summer season and experiment with what kind of programming we might be able to [...]
Read Full Post »
Posted in Seattle, WA on July 14, 2008 | No Comments »
Courtesy of Arts Journal, the Denver Post has a piece on musician salaries.
It can be particularly difficult in a market like Denver. For example, the Colorado Symphony musician’s core 43-week salary hovers around $47,000 a year, about the same as similarly sized orchestras, such as the Oregon Symphony in Portland.
But section musicians in comparable cities [...]
Read Full Post »
Courtesy of The Poly Phonic Blog:
What’s not answered is the question of where Ms. Larionoff sits when one of the other three is present. If she moves to second chair (or even sits home on paid leave), then what really has changed?
And what about tenure? She was tenured as a member of the orchestra. But [...]
Read Full Post »
Once summer gets its hold on Seattle, classical music disappears as quickly as the city’s trademark drizzle. Until this year, the Seattle Symphony put their instruments away and left the summer music making up to the Seattle Chamber Music Society’s festival. Other festivals, on the Olympic Peninsula, the San Juan Islands, and even Portland, Oregon [...]
Read Full Post »
Four hundred and twenty five people filled the small St. Nicholas Recital Hall on the Ivy-like Lakeside School campus on Wednesday night. It was day two of the Seattle Chamber Music Festival. For six weeks each summer, some of the most distinguished musicians make the trip to Seattle and perform a wide swath [...]
Read Full Post »